Jean Rouch
DirectingJean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist.
He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
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Filmografi Sutradara Jean Rouch (92 judul)
- Brise-glace (1990)
- Chronicle of a Summer (1961)
- The Ordinary Madness of a Daughter of Ham (1986)
- Hampi (1962)
- Circumcision (1949)
- That Tender Age (1964)
- Jaguar (1967)
- Mammy Water (1953)
- Un lion nommé l'Américain (1972)
- Brise-glace : Bateau givre (1987)
- Six in Paris (1965)
- Germaine chez elle (1994)
- Urbanisme africain (1962)
- Boulevards d'Afrique (1989)
- Cousin, cousine (1987)
- Little by Little (1970)
- Hommage à Marcel Mauss. Germaine Dieterlen (1977)
- Ciné-mafia (1980)
- Ciné-Portrait of Raymond Depardon (1983)
- Horendi (1972)
- Sigui Synthesis: The Invention of Speech and Death (1981)
- Gare du Nord (1965)
- Les gens du mil (1951)
- Germaine et ses copains (1996)
- Margaret Mead: A Portrait By a Friend (1978)
- Zomo et ses frères (1975)
- Baby Ghana (1957)
- Le mil (1962)
- Sigui 1967: L'enclume de Yougo (1967)
- The Rainmakers (1951)
- The Goumbé of the Young Revelers (1966)
- Battle on the Great River (1950)
- Niger Festivals: December 1961 - Niger Independence Days (1962)
- Hombroï (1948)
- The Punishment (1962)
- Madame l'eau (1993)
- I, a Negro (1959)
- Architects of Ayorou (1970)
- Le Rêve plus fort que la mort (2002)
- Moro Naba (1958)
- La royale goumbé (1958)
- Liberté, égalité, fraternité, et puis après... (1990)
- Monsieur Albert, prophète (1963)
- The Mad Masters (1955)
- Drums from the Past (1971)
- Les cocotiers (1963)
- Makwayela (1977)
- Funeral Rites for Women in Bongo (1973)
- Pam Kuso Kar (Breaking Pam's Vases) (1974)
- Babatou, Three Pieces of Advice (1976)
- The Human Pyramid (1961)
- Mya - la mère (1970)
- Le palmier à l'huile (1963)
- The Dama of Ambara: To Enchant Death (1974)
- VW-Voyou (1973)
- In the Land of the Black Magi (1947)
- Dionysos (1984)
- Yenendi de Ganghel (Rain Dance at Ganghel) (1968)
- The Magicians of Wanzerbé (1948)
- Boukoki (1973)
- Daouda Sorko (1967)
- Sigui 1969: The Cave of Bongo (1969)
- Funeral at Bongo: The Death of Old Anai (1979)
- Sigui 1971: The Dune of Idyeli (1971)
- L'Afrique et la recherche scientifique (1964)
- Rose et Landry (1963)
- The Burial of the Hogon (1973)
- Badye, the Storyteller (1977)
- Sigui 1973: The Canopy of Circumcision (1973)
- I'm Tired of Standing, I Lie Down (1997)
- Funérailles au Ghana (1960)
- Une sortie de novices de Sakpata (1958)
- Cock-A-Doodle-Doo! Mr Chicken (1974)
- Giraffe Football or “The Alternative” (1973)
- Ispahan: A Persian Letter (The Chah Mosque at Ispahan) (1977)
- Sigui 1970: The Clamours of Amani (1970)
- Couleur du temps. Berlin, Août 1945 (1987)
- Damouré Speaks About AIDS (1992)
- Initiation into the Dance of the Possessed (1948)
- Cemeteries in the Cliff (1951)
- Sigui 1968: The Dancers of Tyogou (1968)
- The Sons of the Water (1959)
- The Fifteen-Year-Old Widows (1964)
- Abidjan, port de pêche (1962)
- Les pêcheurs du Niger (1962)
- Announcement (1997)
- The Lion Hunters (1966)
- Dogon Drums, Elements of a Study in Rhythm (1966)
- Ayorou Singing Stones (1968)
- Sigui 1972: The Loincloths of Yamé (1972)
- Enigma (1986)
- A Friendly Handshake (1997)
